![]() I’m convinced that in animation film the story or the concept has to chose it’s style. So once the visual style was set, the challenge was to find the objects that would become the symbols I needed to talk about the subjects I wanted to address. ![]() That is entertaining, funny and transports a message all in one. Could I capture the whole world in five minutes? I wanted to make an experimental film that has a narrativ. The trailer was 45 seconds long, but I felt that there was a story beyond. ![]() Creating a plot with objects that are involved in filmmaking. The project started originally as a trailer I directed for the International Film Festival Winterthur. Q: What came first the visual style or the idea? No one has the same first In A Nutshell experience. I like to believe it’s ones subconscious that chooses what you see, hear and feel, depending on what is occupying your head and heart at the moment. It is such an excessive amount of things, shown in such a short time, you are never able to perceive everything. The speed is so ridiculously high that it forces you to read in between the lines or rather see in between the frames. I squeezed all the subjects, that somehow appeard important to me into it, took all the horsepower of the ridicolos speed and relentlessness of our zeitgeist, paared it with the unbelievable materialism of our world that allows me to talk about love, religion and sex by only putting objects on a plane white background and tried to tell a story with those ingredients. Q: Making a short film with a title that references being concise seems like an appropriate task, but you decided to make a film about existence.
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